Most style advice boils down to "use active voice." That's a decent default, but it skips the more useful skill: recognizing passive voice when you write it, and knowing the handful of situations where it's actually the right call. Here's the short version, without the grammar-class jargon.
In an active sentence, the subject performs the action: the editor cut the paragraph. In a passive sentence, the subject receives the action instead: the paragraph was cut by the editor, or even the paragraph was cut, with no actor named at all. The passive version isn't grammatically wrong โ it's just a different way of arranging the same information, and it usually takes more words to do it.
Look for a form of "to be" (is, was, were, been, being) followed by a past-tense verb โ "was written," "were chosen," "is being reviewed." If you can insert "by zombies" after the verb and the sentence still makes grammatical sense ("the report was reviewed by zombies"), it's passive. Active sentences fail that test, because the subject is already doing the acting.
Passive voice adds words without adding information โ "was reviewed by" is three words doing the work "reviewed" could do alone. It can also hide who's responsible for an action, which is fine in some contexts and a real problem in others. "Mistakes were made" is passive voice doing exactly what critics accuse it of: removing the actor from the sentence entirely.
Passive voice earns its place in a few specific situations, and good writers use it on purpose in each one:
Scan for "was," "were," and "been" โ not to eliminate every instance, but to ask, for each one, whether the sentence would be clearer and shorter with the actor moved to the front. Most of the time it will be. Occasionally, as above, the passive version is doing exactly what you need it to do.